Hindu Deities – All About the Goddesses

20:34

Indian goddesses
Hinduism as a religion is called as `apauruseya` which means of impersonal origin. Hindu Gods are also known as such, they are eternal deities appearing to be sovereign and different, but in reality are aspects of the same ‘Supreme God’. A Hindu deity (god or goddess; note small g) represents a particular aspect of the Supreme Being. Within Hinduism a large number of personalities, or ‘forms’ of this Being, are worshiped as deities or incarnations. Read more about the Hindu Gods
Durga – Goddess Durga represents the power of the Supreme Being that preserves moral order and righteousness in the creation. The Sanskrit word Durga means a fort or a place that is protected and thus difficult to reach. Durga, also called Divine Mother, protects mankind from evil and misery by destroying evil forces such as selfishness, jealousy, prejudice, hatred, anger, and ego.
The worship of Goddess Durga is very popular among Hindus. She is also called by many other names, such as Parvati, Ambika, and Kali In the form of Parvati, She is known as the divine spouse of Lord Shiva and is the mother of Her two sons, Ganesha and Karttikeya, and daughter Jyoti. There are many temples dedicated to Durga’s worship in India.
Durga is depicted as a warrior aspect of Devi Parvati with 10 arms who rides a lion or a tiger, carries weapons and assumes mudras, or symbolic hand gestures. This form of the Goddess is the embodiment of feminine and creative energy (Shakti). Each god also gave her their own most powerful weapons, Rudra’s trident, Vishnu’s discus, Indra’s thunderbolt, Brahma’s kamandal, Kuber’s gada, etc.
Kali – Kali, also known as Kalika, is a Hindu goddess associated with death and destruction. Despite her negative connotations, she is not actually the goddess of death, but rather of Time and Change. Although sometimes presented as black and violent, her earliest incarnation as a figure of annihilation still has some influence.
Kali is represented as the consort of god Shiva, on whose body she is often seen standing.
Kali is portrayed mostly in two forms: the popular four-armed form and the ten-armed Mahakali form. In both of her forms, she is described as being black in color but is most often depicted as blue in popular Indian art. Her eyes are described as red with intoxication and in absolute rage, Her hair is shown disheveled, small fangs sometimes protrude out of Her mouth and Her tongue is lolling. She is often shown naked or just wearing a skirt made of human arms and a garland of human heads.
Saraswati – Sarasvati is the Hindu goddess of knowledge, music and the creative arts. The Sanskrit word sara means “essence” and swa means “self.” Thus Saraswati means “the essence of the self.” Saraswati is represented in Hindu mythology as the divine consort of Lord Brahma, the Creator of the universe. Since knowledge is necessary for creation, Saraswati symbolizes the creative power of Brahma. Goddess Saraswati is worshipped by all persons interested in knowledge, especially students, teachers, scholars, and scientists.
The Goddess Saraswati is often depicted as a beautiful, white-skinned woman dressed in pure white often seated on a white Nelumbo nucifera lotus (although Her actual vahana is believed to be a swan), which symbolizes that she is founded in the experience of the Absolute Truth. She is generally shown to have four arms, which represent the four aspects of human personality in learning: mind, intellect, alertness, and ego. Alternatively, these four arms also represent the 4 vedas, the primary sacred books for hindus. The vedas, in turn, represent the 3 forms of literature:
* Poetry — the Rigveda contains hymns, representing poetry
* Prose — Yajurveda contains prose
* Music — Samaveda represents music.
The four hands also depict this thusly — prose is represented by the book in one hand, poetry by the garland of crystal, music by the veena. The pot of sacred water represents purity in all of these three, or their power to purify human thought.
Lakshmi – Lakshmi is the Goddess of wealth and prosperity, both material and spiritual. The word ”Lakshmi” is derived from the Sanskrit word Laksme, meaning “goal.” Lakshmi, therefore, represents the goal of life, which includes worldly as well as spiritual prosperity. In Hindu mythology, Goddess Lakshmi, also called Shri, is the divine spouse of Lord Vishnu and provides Him with wealth for the maintenance and preservation of the creation.
She is the consort of Vishnu and married Rama (in her incarnation as Sita) and Krishna (as Rukmini and Radha.
In Her images and pictures, Lakshmi is depicted in a female form with four arms and four hands. She wears red clothes with a golden lining and is standing on a lotus. She has golden coins and lotuses in her hands. Two elephants (some pictures show four) are shown next to the Goddess.
Parvati – Parvati, sometimes spelled Parvathi or Parvathy, is a Hindu goddess and nominally the second consort of Shiva, the Hindu god of destruction and rejuvenation. She is the Kali in her unmarried state, who is known by the names of Maya, Sati and so on. She is described as beautiful and magnificent in her disposition.
Parvati when depicted alongside Shiva appears with two arms, but when alone, she is shown having four arms, and astride a tiger or lion. Sometimes, Parvati is considered as the supreme Divine Mother and all other goddesses are referred to as her incarnations or manifestations.
Parvati symbolises many noble virtues esteemed by Hindu tradition. Just as Shiva is at once the presiding deity of destruction and regeneration, the couple jointly symbolize at once both the power of renunciation and asceticism and the blessings of marital felicity.

Places to See in India – Hampi (World Heritage Site)

20:33

Places to See in India – Hampi (World Heritage Site)

Hampi
Hampi is a small village in the southern state of India, Karnataka. It was once the capital of Vijayanagar Empire.  The empire ruled southern India from 14th to 16th century. Then the village was a magnificent site with great monuments and temples. Today all you can see are the remains of the great structures. It is believed that there were above 500 such massive structures. It is a great historic site and is now listed in UNESCO’s World Heritage sites.
This heritage site is huge and is spread over 25 square km of area. The site includes temples, monuments, remains of palaces, ancient streets which were once full fledged markets, platforms made for public gatherings, galleries and the list is endless. Today Hampi is not only a heritage site but a pilgrim site as well. Each year thousands of visitors come here to see the remains of the great Hindu Empire “Vijanagara” which literally means “the city of Victory”. It was rich and famous in 14th century and is believed that diamonds were sold on streets of Hampi.
Today Humpi is an open museum, which has various stories associated with each of its magnificent structures. It has been a site of interest for various historians from all over the world. With every monument seen you hear a”wow” and an “awe” sound…. the structures are that interesting. There is a beautiful monument at every turn or the corner of the site that keep surprising you with its glory and you will be in awe of this great historic site.
Today Hampi is a rural area but once it was the main capital of a great empire. It is a place who has seen the charm and glory of being a rich royal city which was destroyed by wars and now its only the ruins of the great historic past. The temples of the city still have mythological values and are still frequented by local devotees and from all over India. It is an awesome place to spend some days and discover the rich, magnificent, great and vibrant historic past.
How to reach?
Hampi is located in Karnataka and is 350 KM away from Bangalore, which is the capital city of the state.
  • By Air : The nearest Airport is at Bellary, which is 60km away from Hampi. Other Airport at Belgaum 190 km away, You can take flight from Bangalore to Bellary and then can take the road to reach Hampi. There is a daily flight from Bangalore to Bellary.
  • By Train: The nearest railhead is at Hospet, which is 13 km away from Hampi. There are frequent trains from Bangalore, Bijapur, Hyderabad, Guntakal, Hubli and Goa.
  • By Road: There are daily buses operating from Bangalore, Mysore and Gokarna to Hospet. From Hospet you can catch a local bus to Hampi. Also there are few private carriers operating from Goa and Gokarna.
Places to See in and around Hampi:
  • Achyutaraya Temple/Tiruvengalanatha Temple
  • Akka Tangi Gudda
  • Anegondi
  • Anjeyanadri Hill
  • Aqueducts and Canals
  • Archaeological Museum at Kamalapura
  • Badava Linga
  • Chandramauleshwar Temple
  • The Kings’ balance
  • The Underground Temple
  • Tungabhadra River
  • Uddana Veerabhadra temple
  • Ugra Narasimha
  • Virupaksha Temple
  • Vittala temple
  • Yeduru Basavanna
  • Yentrodharaka Anjaneya temple
  • Zenana enclosure
  • Virupapura
  • Madhavan Palace with more than 1,000,000 pillars
  • Sasivekalu Ganesha
  • Elephant stables
  • Lotus temple

Mysore: Cultural Delights

20:32

Mysore: Cultural Delights

St_Philomenas_Church_Mysore
Mysore is a city located in the state of Karnataka, India and is the second largest city in the state. It is also one of the cleanest cities in Karnataka state and is only surpassed by Mangalore which is the cleanest one in this state. Mysore is a major tourist attraction in India and thousands of people visit the city; especially during the Dasara festival when people from all over India pay a visit to this major tourist destination.
The city is also known as the cultural capital of Karnataka since the ancient kingdom of Mysore encouraged art and culture which thrived under its protection. The festival of Dasara is an occasion that is marked by many festivities and religious performances; many gods and goddesses such as the Goddess Chamundeshwari, who slew the Demon Mahishasura, are enthusiastically worshipped on this occasion. Moreover, there are many palaces that adorn the city and this place is also referred to as the city of palaces.
Places of Interest: Mysore Palace: The Mysore palace is the residence of the former royal family of Mysore, the Wodeyars and has two ceremonial halls where meetings of the royal court took place. This is the most famous tourist attraction in Mysore and although visitors are allowed inside, photography is prohibited. The architecture of the palace is made up of different styles; Hindu, Islamic, Gothic as well as Rajput. The palace is truly a sight to behold during the festival of Dasara which symbolizes the victory of good over evil and the palace comes alive with almost 96,000 lights illuminating it. Moreover there are twelve Hindu temples in the palace and there are many rooms that have exquisite carvings and designs made-up of precious or semi-precious stones. A visit to Mysore would truly be incomplete without taking in the spectacular view of the Mysore palace.
Jagamohana Palace: The construction of this palace was completed in 1861 and was used initially by the Wodeyars for residential purposes. However it was later converted into an art gallery and is an edifice made up of three stories. The interior walls are painted with murals and are the earliest known picture of Mysore Dasara. These paintings are made using the traditional style of Mysore and are unique in nature. The art gallery in this place is home to the largest collection of artifacts in Southern India. This palace has an art gallery that is not only famous for its unique paintings but also for other artifacts such as currencies, sculptures, coins, instruments of war, and musical instruments.
Rajendra Vilas Palace: The Rajendra Vilas Palace is located on Chamundeshwari Hills near the city and was the residence of a descendent of the Wodeyar. The palace was converted to a hotel but was unsuccessful due to labor related problems and subsequently closed down. Now the palace is the property of the ancestor of Wodeyar family and is adorned with a powerful beam light that can pierce the darkness in the sky for 30 kilometers. The architecture of the palace is decorated with four “chattris” which are dome shaped pavilions quintessential to the Indian architecture. The palace dome is similar to the one that is found in the Mysore Palace.
Lalitha Mahal: This is a palace that has a humungous structure that is similar to the St. Paul’s Cathedral in England. The palace is the second largest one in the city and is now converted to a luxury hotel run by the Ashoka Group of Tourism Development Corporation. Built in 1921 by the ancestors of the Wodeyar rulers, the palace was originally intended for The Viceroy of India. The architecture is renaissance style and is similar to the St. Paul’s Cathedral in London. The two storied structure is built in a manner that combines the look of English manor houses and Italian Palazzos.
Chamundi Hills: The Chamundi Hills are located very close to the city at an average height of about 1000 meters. The hill has a temple built on top which is a place of worship of goddess Chamundeshwari who slew a Demon King. A stairway leads to the temple and has approximately 1000 steps; however the view of the Mysore palace and the city from top of Chamundi Hills is worth the effort.
St. Philomena’s Church: Built in 1936 in the Neo-gothic style, this church’s architecture was inspired by Cologne cathedral in Germany. St. Philomena is a martyr of the Roman Catholic Church who is said to be believed to be a 14 year old martyr who was buried in the catacombs of Saint Priscilla at the Via Salaria of Rome.
Regional Museum of Natural History: This museum exhibits various plants, animals, and geology of south India and also depicts the relationship between plants and animals. Inaugurated of 25th May 1995, the Museum is located on the banks of Karanji Lake, from where Chamundi hills are visible in the background. There are various galleries in the museum that enlighten visitors about tropical rain forests, Western Ghats (India), wetlands, mangrove forests, and evolution of life.
Folk Lore Museum: This museum exhibits all the folk art and craft from the state of Karnataka. The museum is located in the University of Mysore and was founded in 1968. The various exhibits in the museum include costumes of folk dramatists from Karnataka and Andhra Pradesh, masks, various puppets, costumes of Kathakali (a type of folk dance), folk musical instruments, and various folk deities among a plethora of paraphernalia belonging to the folk culture.
Mysore is a place that attracts about 2.5 million people almost every year and the close proximity of famous tourist destinations makes it an ideal place to enjoy the unique delights that are offered by South-India. Many neighboring places such as Ooty and Madikari are also famous among tourists and residents alike. However, the city lacks an international airport and the nearest one is about 90 miles in the city of Bangalore. In spite of this, Mysore is well connected by road as well as rail to most of the big cities in India and is one of the major tourist attractions in the country.
Brindavan Gardens: Located near the Krishnarajasagara dam which is built on the river Kaveri is one of the must-visit places in India. These beautiful gardens are exquisitely maintained and also have musical and colorful fountains that have mesmerized and amazed thousands of tourists who flock here to enjoy the unique ambiance that the garden has to offer. Designed in the Mughal style, these gardens are very similar to Shalimar Gardens in Kashmir.

Chennai: Tourism Haven

20:31

Chennai: Tourism Haven

chennai tourism
Chennai which was formerly known as Madras is the capital of the Indian state of Tamil Nadu and is the fifth most populous metropolitan area and the fourth most populous city in India. With its long sandy beaches, historical places, parks, and culture the city brings about a potpourri of aesthetic delights for tourists and residents alike. The fact that Chennai is the third most visited city in India by foreigners makes it a destination that is a must-see among all the cities in India.
Attractions
Beaches
Marina Beach: Chennai is known for its long and sandy beaches and the longest urban beach in the world which is called Marina beach is located here. This beach which is dotted with gardens, walkways, memorials, statues and a lighthouse also has some deserted and quiet spots. Even though many tourists make it a point to visit this beach, swimming is not allowed here and there are no lifeguards. In spite of this fact, thousands of people visit the place and as a result many parts of the beach have polluted waterfronts. There are numerous structures and statues that adorn these sandy shores and some are old whereas many have been built recently while renovating the place.
Statues: Most of the statues on Marina beach are of local or national legends such as Mahatma Gandhi, Thiruvalluvar, Robert Caldwell, Subhash Chandra Bose, Annie Besant, and numerous other local heroes and saints. However not all statues are of freedom fighters or saints, some are symbolic in nature; the most notable being the Triumph of Labor statue.
Structures: The beach is also famous for its structures and some of them have historical significance while others are governmental institutions. The most important edifice is the Vivekananda House which was witness to the sojourn of the great monk Swami Vivekananda in 1897 when he stayed here for nine days. Today the structure holds arts exhibits about the life and mission of Swami Vivekananda and the ideologies of Hindu religion.
Monuments, Historical buildings and Institutions The beach is also in close proximity to many memorials, monuments, historical buildings and institutions. Some of the most notable of these are Victoria War Memorial, University of Madras, Presidency College, Anna Memorial, All India Radio (Chennai), Inspector General of Police Headquarters, Forensic Science Department, and MGR Memorial. In addition to this there are three railway stations near the Marina beach which make it easily accessible: Chepuk Railway Station, Light House Railway Station, and Thiruvallikeni Railway Station. A visit to Chennai is truly incomplete without visiting the Marina beach with its teeming hustle and bustle along with a stunning view of the sea from isolated quiet spots.
Elliot’s Beach: This beach is located in Besant Nagar in the southern part of the city and is the end-point of the Marina beach shore. There are many restaurants on this shore and this is one of the famous hang-outs for college students; especially during the weekends. Many people now visit Elliot’s beach instead of going to Marina beach and it is sometimes hard to find parking space on weekends when the restaurants are crowded and so are the sands. This beach is also famous for the Carl Schmidt Memorial which was built in 1930 in memory of a European sailor who died saving the lives of some swimmers. However, sadly the memorial lies in a dilapidated state and needs renovation.
Covelong Beach: The most notable beach near Chennai is the Covelong (Kevalam) beach which is located about 30 miles from the city. Situated on the East Coast Road en route to Mahabalipuram this port town was developed by the Nawab of Carnatic but subsequently came under the British Empire in 1752. The Dutch built a fort here in the colonial era and today it has been converted to a private luxury beach resort named Taj Fisherman’s Cove.
Government Museum Complex: The Government Museum Complex is located in Egmore which is one of the busiest part of Chennai and the museum itself is sprawled over 16 acres of land. It is made up of six buildings and 42 galleries that have a wide range of artifacts on display. Some of the fields that are covered by the thousands of art pieces are numismatics, natural history, sculptures, zoology, archeology, palm leaf manuscripts and paintings. Established in 1851 the huge complex consists of the Museum itself, Connemara Public Library, and the national art gallery. The library was established in 1890 and has centuries-old publications and also acts as a depository library for the UN.
Fort St. George: Fort St. George is the first fortress that was built in India by the British Empire and the city developed around this fort as it gave momentum to trade which flourished to give birth to one of the busiest metropolitan cities in India. The name of the fort derives from the fact that it was completed on St. George Day on the land bought by the East India company to further its spice trade in the region. The fort is famous for its oldest Anglican church called the St. Mary’s Church which was built in 1678-1680 A.D. The fort also houses a museum which has weapons, coins, uniforms, medals and other artifacts that are reminders of the British rule in India. The fort also has the Wellesley House named after the British governor Richard Wellesley. A statue which is 14.5 ft. high stands near the entrance of the Wellesley House and depicts, with carvings, the handing over of two sons by the emissary of the Mughal ruler Tippu Sultan when he could not pay the ransom to the British.
Places of Worship
Kapaleeshwarar temple The city has been a cosmopolitan one since very early times and numerous famous temples, churches and mosques can be found here. The most famous temple is the Kapaleeshwarar temple which is situated in Mylapore. This temple is dedicated to the Hindu lord Shiva who is the god of destruction and is worshipped in the form of Kapaleeshwarar. The temple comes alive during the nine day festival of Panguni from mid March to mid April. During this festival which is also known as Bramhotsavam, the deities are mounted on Vahanaas or “vehicles” and carried around the temple and the water tank.
Vadapalani Andavar Temple: The temple is dedicated to lord Murugan who is worshipped as the lord of the Tamil but also has “Sanctum Sanctorum” for lord Shiva, Goddess Parvati, and Lord Ganesh. This is one of the most frequented temples of Lord Murugan in Chennai and also has large spacious halls for religious ceremonies and marriages.
St. Thomas Mount: St. Thomas Mount is a small hillock located in the neighborhood of Guindy and is in close proximity to the Chennai airport. This place is also called Bhringimalai and is thought to be the place where St. George who was an apostle of Christ was martyred. Believed to have reached India in 52 A.D St. Thomas is said to be one of the first Christians to reach India and therefore the place was also visited by Pope John Paul II during his visit to India in 1986. The hill offers a breathtaking view of the city and also houses the Indian army’s Officer Training Academy (OTA).
San Thome Basilica: This is a Roman Catholic (Latin Rite) minor basilica that was built by the Portuguese in the 16th century and rebuilt by the British in 1893. The architecture of the edifice is neo-Gothic since this was the main architectural style of the British during the 19th century. San Thome Basilica is the most important church of the Madras-Mylapore Catholic Archdiocese and was given the status of Minor Basilica by Pope Pius XII in 1956.
St. Georges Cathedral: St Georges Cathedral was inaugurated in 1947 and is one of the important places of worship for Christians in India. The church itself was opened in 1815 A.D even though the official inauguration and renovation took place in 1947. The stained glass windows in the church are a sight to behold and depict the Baptism of Jesus by John the Baptist in the River Jordan. There are numerous memorials, tablets and statues that adorn this cathedral which now has a church membership of over 1200 families.
Parks and Zoos Guindy National Park: This is the eighth smallest national park in India and covers only 2.8 square kilometers; an extension to the governors residence. Originally a game reserve, the park was converted to a national park by transferring it to the Tamil Nadu Forest Department in 1958. The park has a scenic landscape that is home to 14 species of mammals such as spotted deer, Jackal, Small Indian Civet, Common Palm Civet, and the three-striped Palm Squirrel. The Guindy Snake Park situated in the national park is home to many species of snake and is also an important source of anti venom serum.
Madras Crocodile Bank Trust: The Madras Crocodile Bank Trust (MCBT) was established in 1976 in order to save three species of crocodile – the marsh or mugger crocodile, the saltwater crocodile, and the gharial, which were tottering on the brink of extinction. The park proved to be a great success in saving these species and had more than 400,000 visitors in 2007. The place is home to more than 2400 crocodiles today and has other species such as snakes, turtles and lizards which are viewable by the public. The MCBT publishes a biannual herpetology journal called Hamadryad, and is home to one of the biggest libraries of herpetological literature in India.
Arignar Anna Zoological Park: The Arignar Anna Zoological Park which was established in 1855 is about 20 miles from the city and was the first public zoo in India. This is also the largest zoological garden in India and is sprawled over 1200 acres which houses more than 170 species of birds, mammals, and reptiles in about 80 enclosures. Originally called the Madras Zoo and also known as the Vandalur Zoo this is one of the largest zoos in South Asia and also has a rescue and rehabilitation center for animals.

Delhi – Center Of India’s Tourist Attractions

20:30

Delhi – Center Of India’s Tourist Attractions

red+fort
Delhi is the largest metropolis in India by area and the second largest by population. It is not only the capital of India but it also carries enormous historical importance. There are so many attractions and places to travel for a tourist that it may take more than a week for you to visit all the popular tourist sites and attractions. However, the city is modern and getting around is not very difficult. The only problem that a foreigner may face is the overwhelming crowd in many parts of the city; on the other hand the metropolis also offers cool and serene retreats which are best for getting away from the hustle and bustle of this huge capital city.
How to reach
By Air The Indira Gandhi International Airport is one of the busiest, in terms of the number of people present at a place at any single moment, in India. It takes a little bit of time for a new tourist to get used to the overcrowded airport; however it has seen some changes in the recent months and the facilities have improved. It is advisable to avoid peak hours (late night for international & early morning for local) for arrival at the airport since it is extremely crowded at these times. The airport is divided into three terminals and two are for domestic and one for international flights
Getting out of the airport is much easier if you have already booked a taxi using a private taxi firm or through your hotel. Many hotels provide taxi service to tourists so that they do not have to go through the trouble of finding transport at the last moment. However if you plan to get out of the airport in an ad hoc manner by a taxi then there are two options available for you. Just near the customs clearance gate are two booths, on the either side of the exit; one is the private taxi booth and the other is operated by the police. The private taxi booth is advisable for people who want comfort and air-conditioning. The one that is operated by the police is much cheaper and is a pre-paid service. Keep the receipt with you until you reach the destination and do not tip or pay more than the stipulated amount.
Buses Delhi is connected to almost all the Indian cities by buses; public as well as private, and the numerous varieties of buses available can sometimes confuse a novice traveler. The ISBT or the Inter State Bus Termini are the most common buses and have more than four major terminals in the city. The Kashmere Gate ISBT is one of the largest bus terminals in the city and buses are even available for Nepal. Other major terminals include the Sarai Kale Khan near Hazrat Nizamuddin railway station, the Anand Vihar ISBT which is located near the east bank of River Yamuna (also called swami Vivekananda bus terminus). Bikaner House bus stop connects to Rajasthan and is much cleaner and offers comfortable transport for arrival from, and departure to Rajasthan.
Railway Rail is one of the convenient methods of reaching Delhi and the city has two railway stations; the Hazrat Nizamuddin and the New Delhi railway station. The former is located a few kilometers south of the city and the latter in the central part. Pre-paid rickshaws and taxis are available outside both the stations. The Hazrat Nizamuddin station has trains that leave to the southern part of India and is less crowded compared to the New Delhi railway station. Delhi is connected to almost all the cities in India through an extensive web of rail networks.
Getting around Getting around the city is not very difficult as there are numerous options including the Delhi metro that has recently started. Taxis, buses, rickshaws, and trains are available for reaching almost any part of the city. The Delhi metro is in its nascent stages and therefore does not offer an extensive network throughout the city. However, Metros are a good option if you are planning to visit the old city. It is not advisable to travel using trains as these are inconvenient and uncomfortable at the same time. Moreover they do not provide an extensive network and the stations are inconveniently scattered around the city. Buses are another option but these too are cheap albeit overcrowded and extremely uncomfortable if you are not used to traveling in India. Taxi cabs are another way of getting around Delhi and these are the best option if you are on a short trip. The cost is approximately twenty dollars or 1000 INR for twelve hours which covers almost all city attractions. Moreover the radio cab service can be availed of, which is modern and air-conditioned although twice as expensive.
Attractions
Delhi has great historical importance and has seen many Mughal as well as Indian rulers in its courtyard. However, now the city is mostly made up of migrants from other states and is cosmopolitan in nature.
The Red Fort The red fort is one of the major tourist attractions and was built by the emperor Shah Jahan in 1648. The fort has endured considerable damage; however many places in the fort are open for tourists and are grandiose in their splendor and design. Some of the places in the fort are Chatta Chowk (covered bazaar) which is a place for hawkers to sell their wares, Diwane-E-Aam (the hall of public audience), Diwan-E-Khaas (a hall for private audience), Khas Mahal (emperor’s residence), and Mumtaz Mahal which was the residence of the royal ladies. The Mumtaz Mahal is now used as a museum for textiles and various handicrafts. The Daawat Khana, roughly translated meaning Culinary House was converted to a tea house by the British and still offers food and refreshments. The fort also has a light and sound show in the evenings which gives a short description of Delhi’s history using lights and short orations.
Jantar Mantar The Jantar Mantar is a place that has thirteen architectural astronomical devices that were built by Maharaja Jaisingh of Jaipur in the 1700’s. Some of the instruments are designed to measure the time of the day (accurate up to half a second) and depend on heavenly bodies such as the sun for measuring the time. The Jantar Mantar which literally means ‘instrument and formula’ was designed for observing and predicting the movements of heavenly bodies. Some instruments are simple sundials and others are more complex which help in determining the position of stars and other celestial objects.
Humayun’s Tomb Humayun’s tomb is one of three sites in Delhi that comes under the UNESCO world heritage sites. The tomb itself is situated in a large red sandstone structure that resembles the Taj Mahal itself. Some even believe that the basic structure of the Taj Mahal was derived from this tomb. The tomb is amidst huge well maintained gardens that flaunt a Persian design with the quintessential Char Bagh (four corners) which adds to its splendor. Other spots to visit here are the tomb of Iza khan who was a court noble who built it in his own lifetime and the West gate that is the entrance for the humungous central garden. Also visit the south gate where you will find fewer tourists which makes it a good spot for taking photographs.
Qutub complex The Qutub Minar The Qutub complex houses the famous Qutub Minar which is a tower built by Qutubuddin Aybak. The tower was one of the tallest structures in the world when it was built (1193-1368). The structure is also surrounded by beautiful gardens and old ruins which make it an ideal picnic and relaxing place.
The Iron Pillar The Iron pillar, as the name itself suggests, is a seven meter high pillar built by Chandragupta II in 400 A.D. This pillar has puzzled many metallurgists around the world as it still stands after 1600 years without any significant damage.
Quwwat-ul-Islam Mosque This is one of the oldest mosques in the city and was the first mosque in Delhi; now in ruins it still attracts many tourists from around India and the world. Even today, the ruins of the mosque have exquisitely designed engravings which were carved centuries ago.
Monuments This city is dotted with monuments that are symbols of India and carry national as well as patriotic importance. 
Rajpath Rajpath is the parade road that leads to the Rashtrapati Bhavan which is the residence of the President of India. The India Gate is also nearby that is a stunning view in itself at night with decorative lighting.
Nehru House The Nehru house was the residence of the first prime minister of India and is also known as ‘Teen Murti Bhavan’. The place is well preserved and is open to the general populace without any fees or charges.
The India Gate India Gate is a structure in remembrance and honour of the British Indian Army soldiers who died in World War I and in the Afghan War. There is also an eternal flame called Amar Jawan Jyoti or the Immortal Soldier. This place is dedicated to the Unknown Soldier with a rifle and a helmet standing upright besides the flame.
Religious Delhi was and still is one of the dynamic cities of India and is home to many religious monuments which are tourist attractions as well as places of worship.
Lotus Temple The Lotus Temple is a 27 leafed concrete structure that is surrounded by gardens and lush greenery. However, there is very little inside the temple itself and is open all year round. There is no entry fee or charges so you can spend an hour in the temple if you want tranquil surroundings.
Gurudwara Sis Gunj This is a Sikh place of worship where their ninth Guru Tegh Bahadur was beheaded on the orders of the Mughal emperor Aurangzeb. It is a stones throw away from Jama Masjid and has a calming influence due to its peaceful and tranquil ambience.
Jama Masjid Opposite to the Red Fort and located in the old city this Mosque is one of the ‘Must see’ places in Delhi. The mosque is open to anyone and there is no entry fee; however you may be charged five to ten American dollars to carry a camera inside the mosque. Tourists are also allowed to climb the minaret for a better view for a small amount.
ISKCON (Hare Krishna Temple) One of the most famous temples around the world, ISKCON is a center for Krishna consciousness and also provides multimedia entertainment shows. The place is also famous for the Govinda’s restaurant and offers various delicacies among sweets.
Sacred Heart Cathedral This is one of the biggest churches as far as structure is concerned and is the headquarters of the Delhi Catholic Archdiocese. The church is also a ‘must visit’ location because of its stunning architecture and design. It is located near cannought place and is very close to Gurudwara Bangla Sahib which is also a place of worship and a tourist attraction.
Shopping Delhi offers a vast array of products and goods for tourists as well as local residents. The place is full of shopping malls and bazaars that sell handicraft items and other hand made goods. Some of the places for shopping are Cannought place, Khan Market, Palika Bazaar, Paharganj Market, Janpath and Chandani Chowk. All types of products from antiques to branded modern goods can be procured in these Bazaars
Handicrafts Delhi is famous for its handicrafts since many people from nearby places come here to sell their fine art to foreigners and Indians alike. Some of the best places to find handicrafts are Cottage Emporium at Cannought place, the State Emporium at Baba Kharak Singh Marg, and Delhi Haat. Delhi Haat is a place where many fairs are conducted and crafts can be bought at a bargain price if you are ready to spend time and energy. The fairs provide an opportunity for artists to directly sell their goods to customers in order to cut out the middleman and are beneficial to all the parties.
Hotels As the city is the capital of India there are a plethora of hotels available in the city from small lodges to luxurious suites in five star hotels. Some of the better places to unwind and relax are the Taj Mahal [1, Mansingh Road], The Taj Palace [Sardar Patel Marg], Le Meridian [Windsor palace], and The Ashok [50-b Chanakyapuri]. These are all luxurious hotels; however some of the mid range hotels include the Cabana hotel [Greater Kailash 1], Hotel Ashiana [50 Ara Kashan Road, Ram Nagar], Delhi Homestay [near the Airport], and India Luxury Homes [S 504 Greater Kailash I]. There are cheaper hotels compared to these but are not recommended for families and foreigners as they are usually dirty and unhygienic. Avoid staying at a lodge or a small hotel if you are visiting with your family or are visiting India for the first time.
Restaurants Delhi is the epitome of Indian culinary delights and is abundant with all types of Indian as well as continental cuisines and recipes. From the traditional Chaat and Golgappe that are sold by street vendors to the palatable luxurious desserts of the five star hotels, these delicacies are made to stun and mesmerize you with their uniqueness and taste. For continental delicacies, the best places to visit are the Taj Hotel and The Oberoi. Both are five star hotels that offer authentic continental food. If you are in search of local restaurants that can give you a taste of the neighborhood flavor then the Bukhaara [Maurya Shereton] and Punjabi By Nature [11 Basant Lok, Vasant Vihar] are a couple of restaurants that are apt for foreigners and people with disposable income. Other quality restaurants that are less costly are Karim’s [Jama Masjid, Gali Kababian] and the Club India Café [4797, Second Floor, 6 Tooti Chowk].
Other places of interest Delhi is located in such a manner that it is easy to get away from the maddening crowd to other places that offer peace and tranquility. Some of the locations that are not more than a day’s journey from Delhi are Jim Corbett National park, Nainital, Rishikesh, Shimla, and Bharatpur Wildlife Sanctuary which is located in Rajasthan. These places are comparatively less crowded and provide nature’s splendor and peaceful surroundings. However most of the national parks are meant for people who are ready to spend a little more and are best visited during the off-season.

Maharashtra – The Land of Marathas and Peshwas

20:29

Maharashtra – The Land of Marathas and Peshwas

Maharashtra - The Land of Marathas and Peshwas
Maharashtra, the literal meaning is “Great Nation”, is a Western state of the Indian Peninsula. It is third largest state by area and second most populous after Uttar Pradesh. It is surrounded by six other states of India, namely Gujarat, Madhya Pradesh, Chhattisgarh, Karnataka, Andhra Pradesh and Goa. It is bordered by the Arabian Sea to the west.
The state has a long coastline, which is 720 kilometers in length and 50 – 60 in width. The coastal region is called “Konkan” and is home to various pristine beaches and scenic locations. Maharashtra has beautiful locations and an array of tourist attractions. These attractions vary from spiritual and pilgrim destinations, to beach destinations, to hill stations, to historic monuments, to art museums etc.
Maharashtra is an important state in India. The state is home to the Indian financial capital, Mumbai, which is also the center for Indian film industry called ‘Bollywood’. Another important city in the state is Pune, a cosmopolitan city, which is popular as an education center and is known as “Pune – The Oxford of East”, as an IT hub, as the cultural capital, and for Osho Commune – a meditation center.
Maharashtra attractions:

  • Pilgrimage sites and Temples:
The Pilgrim destinations in Maharashtra are famous across the globe. The most famous are the Ashtavinayak (group of eight self-created temples) temples and Shirdi (dedicated to Shirdi Sai Baba). Haji Ali Dargah, Maha Laxmi Tempel, Tryambakeshwar, Bhavani Temple at Tuljapur, Grishneshwar , Kailasanatha Temple at Ellora, Amba Temple at Amravati, Bhimashankar Shiva Temple, Kapaleshwar Temple at Nasik, Kalaheshwar Temple at Kale near Kolhapur.
  • Hill Stations:
The popular hill stations in Maharashtra are Matheran, Lonavla, Khandala, Mahabaleshwar, Panchgani, Bhandardara, Malshej Ghat, Amboli, Chikhaldara, Panhala, Sawantvadi, Toranmal, Jawhar, etc.
  • Forts:
Forts have played an important role in the history of Maharashtra since the time of the Peshwas. Some of the important forts in Maharashtra are Raigad, Vijaydurg, Pratapgad, Sinhagad. Majority of the forts in Maharashtra are found along the coastal region of Konkan.
  • Beaches:
The Coastal retreats include, Nagao, Murud, Kashid, Alibaugh, Dapoli, Tarkarli, Juhu, Mandwa-Kihim, Ganapatipule Beach, Dahanu – Bordi, Marve, Manori, Gorai, Vengurla – Malvan, Velneshwar , Madh Island Beach, Marine Drive Beach, Harnai.
  • Music:
The folk music viz. Gondhal Lavani, Bharud and Powada are popular especially in rural areas, while the common forms of music from the Hindi and Marathi film industry are favoured in urban areas.
  • Food and Cuisine :
The cuisine of Maharashtra varies according to the region of Maharashtra. The people of the Konkan region have a chiefly rice based diet with fish being a major component, due the close proximity to the sea. In eastern Maharashtra, the diet is based more on wheat, jowar and bajra. Puran Poli, Bakarwadi, plain simple Varan Bhat (a dish cooked with plain rice and curry), and Modak are a few dishes to name. Chicken and mutton are also widely used for a variety of cuisines. Kolhapuri Mutton is a dish famous for its peculiar spicy nature.

Indian Film Cities

20:26

Indian Film Cities

Indian film cities
India is crazy about films. Movie making is a big business here and on an average about 14 million people go to theatres to watch a movie and about 4 billion tickets are sold annually. Though Bollywood is known to be the identity of Indian Cinema, regional cinema has also left a mark of its own. The most prominent of them are Bangla, Bhojpuri, Maharashtrian, Kashmiri film industries. South Indian Cinema – consisting of Kannada, Malayalam, Tamil Nadu and Telegu film industries – has its own version of churning a huge number of films and is a thriving business with shorter duration of movie processing and a good budget, which also woos many Bollywood stars to act in their movies.
So it should not be a surprise that this country holds 4 film cities. The biggest being Ramoji Film City in Andhra Pradesh. Lets take a glimpse at all the film cities in the country.

Ramoji Film City

Certified by the Guiness Books, to be the World’s Largest Film Studio Complex, Ramoji Film City was launched in 1996. Situated 60 kms from Hyderabad, it is known to be spaced out across 2000 acres. Besides providing exquisite film shooting landscapes and technologically advanced pre and post production and processing laboratories, it also stages state-of-the-art Concerns, Events, Beauty pageants, corporate meetings, and new product launches.
The city offers over 500 locations and can cater to 20 international films simultaneously. Nearly 40 Indian films can be produced simultaneously in the complex manned by a workforce of 6,000 personnel. The wide array of production services includes Maya, the set design and construction division, Parade, the props and costumes division and the choicest accommodation and catering services. There is a backup inventory of 10,000 objects such as pillars, cornices, brackets moulds, domes and dado designs, an accomplished workforce of 500 professionals of Maya design and execute miniatures of any setting.
The hills, lakes, fountains, pathways offer excellent landscapes for shooting films. The sets range from Japanese garden to horrified jungle of Africa to mock architectures of Paris to miniature of Taj Mahal. Different landscapes, costumes, antiques, furniture, paintings give the tourists to experience different eras starting from stone age to contemporary times. The Mauryan art and the architecture will take you in a journey to ancient India. As at Hollywood’s Universal Studios, Ramoji Film City doubles as a theme park.

Mumbai Film City

Mumbai is known as the city where dreams come true esp. for those pursuing their career in Bollywood. The most popular film studio, Mumbai film City is situated in Goregaon East, in the vicinity of Aarey Colony. The hub of the film making industry in India and the largest film industry in the world, Bollywood is a phenomenon in itself. The renowned film city of Mumbai started its journey in 1911 with the release of the first silent Indian feature film. The booming Bollywood industry constitutes of 250 studios in Mumbai alone. The film city, earlier a studio built by Dada Saheb Phalke, was reshaped and reworked by the government later. Exotic locales are well integrated into this sprawling film city. The Masala movies produced by the film city have led to the nurturing of newer thoughts and ideas.
The Film City is well equipped with large studios for indoor shootings, recording room, a theater, and facilities like garden, lakes, ground for fighting scenes, helipads etc. for outdoor shooting. The plan for this Film City was prepared and executed under the able guidance of late V. Shantaram, the veteran actor, director and film producer. Dadasaheb Phalke was the first film maker of Bollywood shooting in Film City of Bombay with his first film, ‘Raja Harishchandra’ and since then everything is just a History with all new equipment giving Black and White movies a new Colour. The Film City is not open to admission without a prior permission. Film City is easily accessible from the western Express Highway and the nearest stations are Goregaon & Malad (Western Railway).

MGR Film City

The MGR Film City was built in 1994 in honor of large icon and popular matinee idol of Tamil Cinema and former Chief Minister, M.G. Ramachandran. Covering 70 acres at Taramani in Chennai, the MGR Film City is a popular tourist spot and the setting of several South Indian films. The film city has a film school, indoor and outdoor shooting locations, replicas of village and urban areas, temple, church, mosque, post office, police station, prison, courtroom, and landscaped gardens in Italian, Japanese and Mughal styles. The recently opened MGR Knowledge Park adds to the attraction.
A charismatic actor and philanthropist, M.G. Ramachandran commanded the idolatrous adulation of millions of Tamilians and became Tamil Nadu’s chief minister. His achievements in 3 fields, namely films, philanthropy and politics were remarkable.

Noida Film City

The Noida Film City was built in 1987 by Sandeep Marwah, and it lies across 100 acres of land wherein 25 acres is covered with only the indoor studio. The Film City has been a host to a number of shootings for various feature films, both for the mainstream Bollywood cinema and for a large number of regional films made in Hindi, Bhojpuri, Bengali, Punjabi, Rajasthani, Kashmiri and other Indian languages. Owing to its proximity to the Doordarshan (the Prasar Bharti transmission headquarters in New Delhi), and a large number of private broadcasting and transmitting stations that have moved to the NCR region, the Film City has become a first choice for shooting television serials, news and other entertainment-cum-education programs for various channels.

Martial Art of Kerala

20:26

Martial Art of Kerala – KALARI

Martial arts of Kerala
‘Kalari’ or ‘Kalaripayyat’ is the exclusive martial arts legacy of Kerala. An old combat martial art originating in Southern India, Kalari is used as a defensive system. It’s believed that Kalaripayyat may have been the inspiration for the many Asian martial arts we know today.
Kalaripayattu is indigenous to the South Indian state of Kerala and derives its name from the Malayalam word ‘Kalari’ which literally means ‘battlefield’. In respect to this martial art, Kalari refers to the arena where training goes on and demonstrations are performed.
Originally, the Kalari was a place of learning for subjects such as ayurvedic medicine, yoga, philosophy, astrology, architecture and geometry in addition to combat arts. Physical well being is a fundamental element to this martial art with massage techniques and medical treatments being part of the over-all system.

What is Kalari payyat

Place of Kalari practice
The villages of medieval Kerala had a kalari, a temple, and a public tank for bathing, – a rare combination of religion, hygiene, public health and defence. Although the Kalari system was an offshoot from the Hindu way of life, it was shared by all people, irrespective of caste and religion, as a common legacy.
Ankathattu
‘Ankathattu’ is a four to six feet high platform constructed temporarily for the purpose of fighting duels. ‘Ankam’ means war in the Malayalam language. This platform is constructed as per tradition and is in the center of the ground from where people can watch the fight. This place altogether is called AnkaKalari.
Poothara
Every Kalari has a Poothara (meaning “platform where flowers are kept” in the Malayalam language). It’s a seven-tier platform placed in the south-west corner of every Kalari, housing the guardian deity of the Kalari. The seven tiers symbolise the seven abilities that each person must possess – Vignesva (strength), Channiga (patience), Vishnu (power to command), Vadugashcha (the posture), Tadaguru (training), Kali (the expression) and Vakasta – purushu (sound).
Gurrukal – The Teacher
Each Kalari is run by a ‘gurukkal’ (teacher) who teaches the students the esoteric physical and spiritual disciplines needed to master Kalaripayattu. A Kalari teacher was very much respected by the society. He was given the title ‘Panikkar’ derived from the term ‘Parinayaka’. According to Buddhist literature, he is a teacher of weaponary or Ayudha Vidya Guru.

The Styles of Kalari

The styles of Kalari are based on the region of training like North Kerala, Central Kerala and Southern Kerala.
Vadakkan (Northern) Style:
This style is characterized with the typical leaping and jumping movements which is unique to the system. The training starts at an early age- as early as 5 yrs. The place of Kalari has very strict dimensions.
Another unique practice of the Vadakkan style is the applying of oil on the practitioner’s body before training. Herbal oils are applied and Chavutti Thirummal or foot massage is performed before undertaking training. This helps in developing flexibility and preventing injury.
After the Meyppayttu (solo forms) the student progresses to Kettukari (long staff), Muchchan (short stick), Katara (dagger), Valum parichayum (sword and shield) and Urumi (flexible sword) and then to the Ottakkol (curved stick).
Though in the ancient days the place was ruled and controlled by local chieftains, they had only a minimal role as far as law enforcement was concerned. Disputes between persons or the chieftains were settled by duels in a specially constructed arena in the town square called ankathattu. This led to the development of the skills needed for one on one fighting with sword and shield and other weapons like Churika and Urumi made of metal. Each family of the warriors were said to have developed secret fighting formula.
Thekkan (Southern) Style:
The stances are comparatively higher than in the Northern or Vadakkan style and relatively less emphasis is placed on the weapons like sword and shield and Churika (double edged sword dagger about one cubit in length).
More emphasis is placed on the empty hand techniques and knife, long staff and short stick plus the extremely effective and lethal weapon called Kottukampu. This could be due the presence of a well-established law enforcing system present in the southern part of Kerala right from ancient days. Use of weapons like swords by civilians was a crime whether in self-defense or otherwise and the ancient masters cunningly developed very effective empty hand sets.
Then the science of striking the vital points or Marma developed as a great system of medical tradition and as a sinister art of killing a person without any visible mark of violence, this completely changed the nature of the southern style Kalarippayattu.
Central Style:
The central style (practiced mainly in Trissur, Malappuram, Palghat and certain parts of Ernakulam districts is ‘a composite’ from both the northern and southern styles that includes northern meippayattu preliminary exercises, southern emphasis on empty-hand techniques, and its own distinctive techniques, which are performed within floor drawings known as kalam.

Kalari Training Centres

1. Kerala Kalarippayattu Academy
The Kerala Kalarippayattu Academy was founded in 1976 in Cannannore by a dedicated group of individuals concerned with the future of Indian martial arts, especially Kalarippayattu of kerala and adi murai of Trivandrum and kanyakumari Districts. The Academy aims to become an international center of learning and exchange of techniques,knowledge, ideas,and research on the martial and related healing and meditation arts.
Address
Kerala Kalaripayattu Academy
Pillayar Kovil Road,
Kannur, Kerala,
India, 670001
PH: + 91- 497- 2768 178,+ 91- 497- 2702 369
2. Sudarsana Kalari Sanghom
Sudarsana Kalari Sanghom has full term 2 year courses as well as short term courses. ‘Kalari Kaipporu’ is an offshoot of Thekkan Kalarippayattu developed by Sudarsana Kalari Sanghom. This system is developed mainly for learning survival in a fight against one or several opponents, armed or unarmed. The main difference between the classic Thekkan Kalari and Kalari Kaipporu is that while the classic system takes a few years to learn, the later takes much shorter time- often as short as six months.
Address
Sudarsana Kalari Sanghom,
Dharbha Vila,
Mundayil, Varkala (P.O),
Kerala, INDIA – 695141
Office
VMC-22-157,
Trivandrum,
Kerala, INDIA – 695141
email@ – courses@kathinayoga.com
2. Kalari Kovilakom
Kalari Kovilakom is the Palace for Ayurveda, perhaps the first and only one of its kind. The palace (or ‘kovilakom’) that Dhatri built came to be known as ‘Kalari’, because it was built on a site that contained a ritual space for ‘Kalari Payattu’.
Address
Kalari Kovilakom
Kollengode, Palakkad
Kerala 678506 INDIA
Ph: +91 4923 263737
Fax: +91 4923 263929
email: kalarikovilakom@cghearth.com

Interesting Facts about Khajuraho

20:24

Interesting Facts about Khajuraho

Khajuraho
The Heart of India is Madhya Pradesh, and the hearth of Madhya Pradesh is Khajuraho.  Khajuraho is an example of rich cultural heritage of India.  One of the top tourist destination famous for its sculptures, temples and architecture. The realistic sculptures of the temples are famous world wide. These temples were built during the Chandela Empire.  Most of the temples depict the lifestyle of a woman in medieval age. They represent life in 11th century.
The Sculptures of Khajuraho are an example of a highly matured civilization. These temples were constructed in between 950 – 1050 A.D. The name Khajuraho came from the tree “Khajur” (the date palm tree) which is found in good number in this region.

Facts about Khajuraho

  • Khajuraho is one of the UNESCO World Heritage Site.
  • Khajuraho is famous for its erotic sculpturesadorning the temples.
  • The largest group of medieval Hindu and Jain temples are found in Khajuraho.
  • The name Khajuraho is derived from ‘khajur’, which means ‘date palm’.
  • It was constructed between 950 and 1050 AD.
  • Now there are only 22 temples left after the natural calamities. Prior ther were a total of 85 temples at Khajuraho.
  • The Khajuraho temples were discovered in 20th.
  • These temples are considered the “high point” of Indian architectural genius during the medieval times.
  • The temples of Khajuraho are divided into three divisions – western, eastern and southern.
  • The Western group is home to the largest and most typical Khajuraho temple, dedicated to Kandariya Mahadev.
  • The fascinating sculptures of Khajuraho represent an expression of a highly matured civilization.
  • One Myth regarding the Khajuraho temples is that they are filled with erotic sculptures. Rather it is a very small part. Yes it does contain sensuous sculptures.
  • Archeological Survey of India has ranked Khajuraho temples as the best preserved monuments of antiquity.
  • Few temples in Khajuraho are dedicated to Jain pantheon and the rest to Hindu deities – to God’s Trio, Brahma, Vishnu and Shiva and various Devi forms, such as the Devi Jagadambi.
  • The temples are built of sandstone in different shades of buff, pink and pale yellow.
  • The divine sculptures in Khajuraho temples are a tribute to Life itself.
  • The images of Goddesses and Gods sculpted on the temple walls represent the many manifestations of the divine Shakti and Shiva, the female and male principles, the Yin and the Yang.
  • The rooms inside the temple are inter-connected and placed in an East/West line. Each contains an entrance, a hall, a vestibule and a sanctum
  • Khajuraho temples, constructed with spiral superstructures, adhere to a North Indian shikhara temple style and often to a Panchayatana plan.

Rajesh Khanna’s Most Memorable Films

20:24

Rajesh Khanna’s Most Memorable Films

Rajesh Khanna's Most Memorable films
Rajesh Khanna, affectionately called as Kaka ji, has given many hits in his career. The heartthrob of million fans entered Hindi Cinema in 1960′s. He made his film debut in 1966 with Chetan Anand directed film ‘Aakhri Khat.  Aakhri Khat was India’s entry for the Best Foreign Language Film at the 40th Oscar Academy Awards in 1967. It was a great achievement for a new comer like Rajesh Khanna.
He is the first Superstar of Bollywood. Within just six years of his career he made it to the top of Indian Film Industry. He is the only actor who has given 15 box office hits in a row. He has done a total of 180 films in 40 years from 1966-2011. He won three ”Filmfare Best Actor’ Awards out of fourteen nominations. He also made a record for receiving most BFJA (Bengal Film Journalists’ Association) Awards for Best Actor (Hindi). It was for Anand (1971), Bawarchi (1972), Namak Haraam (1974) and Amrit (1986).

Rajesh Khanna’s Most Memorables Films

Aradhana – 1969

Aradhana
Aradhana is a 1969 Hindi film directed by Shakti Samanta, starring Sharmila Tagore & Rajesh Khanna in lead roles and Sujit kumar & Farida Jalal in supporting roles. Music composed by S. D. Burman. Aradhana bagged 3 Filmfare awards i.e. Best MovieAward, Best Actress Award (Sharmila Tagore) and Best Male Playback Award (Kishore Kumar for ‘Roop Tera mastana’).
 

Ittefaq – 1969

ittefaq
Ittefaq is a 1969 film directed by Yash Chopra, produced by B. R. Chopra starring Rajesh Khanna and Nanda in lead roles. The music was composed by Salil Choudhury. It was a remake of 1965 Hollywood film Signpost to Murder.  The film won two Filmfare awards i.e. Best Director (Yash Chopra) and Best Sound (M.A.Shaikh). The other nominations for the film were for Best Actor (Rajesh Khanna), Best Actress (Nanda) and Best Supporting Actress (Bindu).

Kati Patang – 1971

kati patang
Kati Patang is a 1970 film produced and directed by Shakti Samanta, starring Asha Parekh and Rajesh Khanna in lead roles. The music was composed by R.D. Burman. The film was nominated for six Flimfare awards i.e. Best Director, Best Actor, Best Story, Best Lyrics, Best Male Playback Singer and Best Actress. Asha Parekh won Filmfare Best Actress Award for this film.

Anand – 1971

Anand
Anand is a 1971 film written and directed by Hrishikesh Mukherjee. It was produced by Hrishikesh Mukherjee and N.C. Sippy. It was the first film where there was no lead heroine opposite Rajesh Khanna and the first film in which Rajsh Khanna eventually dies in the end. Anand Bagged a record of Six Filmfare awards ( Best Movie, Best Actor, Best Supporting Actor, Best Story, Best Editing and Best Dialogue) and one National award (Best Feature Film in Hindi).

Amar Prem – 1972

Amar Prem
Amar Prem is a 1972 film directed and produced by Shakti Samanta, starring Rajesh Khanna and Sharmila Tagore in lead roles. Music composed by R.D. Burman. Amar Prem was nominated in six Filmfare award categories i.e. Best Dialogue (Ramesh Pant), Best Screenplay (Arabinda Mukherjee), Best Sound (Jehangir Nowrojee), Best Actor (Rajesh Khanna), Best Lyricist (Anand Bakshi for Chingari Koi Bhadke), Best Singer Male (Kishore Kumar – Chingari Koi Bhadke). Out of these the film won three awards i.e. Best Dialogue, Best Screenplay and Best Sound.

Mere Jeevan Saathi – 1972

Mere Jeevan Sathi
Mere Jeevan Saathi is a 1972 film directed by Ravikant Nagaich and produced by Vinod Shah, starring Rajesh Khanna and Tanuja in lead roles and Sujit Kumar in supporting role. Rajesh Khanna plays the lead role as a blind person. The music composed by R.D. Burman was all time hit. The most popular songs of the film are ‘O mere dil ke chain’ and ‘Chala jata hoon’ sung by Kishore Kumar

Namak Haram – 1973

Namak Haram
Namak Haram is a 1973 film directed by Hrishikesh Mukherjee and produced by Jayendra Pandya, Rajaram and Satish Wagle. The film stars Rajesh Khanna and Amitabh Bachchan in lead roles and Rekha, Asrani, Raza Murad, A.K. Hangal, Simi Garewal and Om Shivpuri in supporting roles. Rajesh Khanna won the 1974 BFJA Awards for Best Actor.
  

Aap Ki Kasam – 1974

aap ki kasam
Aap Ki Kasam is a 1974 Hindi film directed and produced by J. Om Prakash.The film stars Rajesh Khanna and Mumtaz in lead roles and Sanjeev Kumar, Rehman, Asrani and A. K. Hangal in supporting roles. The film was nominated for the 1975 BFJA Awards for Best Actor (Rajesh Khanna).

Kudrat – 1981

Kudrat
Kudrat is a 1981 Hindi film directed by Chetan Anand and produced by B.S. Khanna. The film stars Rajesh Khanna and Hema Malini in lead roles and Raaj Kumar, Priya Rajvansh and Vinod Khanna in supporting roles.  Kudrat won All-India Critics Association (AICA) Best Actor Award in 1982 at Calcutta and Nominated for the 1982 BFJA Awards for Best Actor.
 

Avtaar – 1983

avtaar
Avtaar is a 1983 Hindi film directed and produced by Mohan Kumar. The film stars Rajesh Khanna and Shabana Azmi in lead roles. Avtaar was Rajesh Khanna’s biggest hit film in terms of box office collections after his bad phase from 1976-1978. Rajesh Khanna was nominated for the 1984 Filmfare Award for Best Actor and the 1984 BFJA Awards for Best Acto

Top 10 Highest Mountain Peaks of India

20:22

Top 10 Highest Mountain Peaks of India

Top 10 Highest Mountain Peaks of India
“The jewels of India”, a term that truly describes the top 10 highest mountain peaks of India. These snow capped mountains attracts thousands of visitors from across the globe for various exploration and expedition projects. Since time immemorial the Himalayas have attracted millions of tourist because of its mountain peaks and snowy glaciers. The two major mountain ranges of North and North East India are Karakoram Range and Himalayan Range. These two ranges are home to few of the India’s highest peaks which are also the part of top 100 highest peaks of the world.
  • 10. Abi Gamin – (24,131 ft, 7,355 m) :
Abi Gamin or Ibi Gamin is one of the highest peaks located in Chamoli district of the Indian state Uttrakhand . It lies on India-Tibet border just 2 km away from mount Kamet. It is also the secong highest peak of the region after Kamet. This peak is a part of Himalayan Range and is situated on the watershed of the upper Alaknanda and Dhauli.
  • 9. Ghent Kangri – (24,281 ft, 7401 m) (ranked 69th) :
Ghent Kangri (or Mount Ghent, Ghaint I) is a high peak at the north end of the Saltoro Mountains, a subrange of the Karakoram range. It is located west of the Siachen Glacier in an area under Indian control since 1984. Mount Ghent stands at an elevation of 7401 meters (24281 ft) and is ranked 69th in the list of highest mountain peaks of the world.
  • 8. Saser Kangri IV – (24,331 ft, 7416 m) :
The Saser Kangri massif consists of four main peaks and Saser Kangri IV being the smallest of them all. This mountain is located on Saser Muztagh Range that is a sub-range of Karakoram Range.
  • 7. Saser Kangri III – (24,590 ft, 7495 m) :
At no. 51 in the list of top 100 mountain peaks of the world is Mount Saser Kangri III that stands at an elevation of 7495 meters (24,590 ft). This mountain is located on Saser Muztagh Range that is a sub-range of Karakoram Range.
  • 6. Saser Kangri II – East at (24,665 ft, 7518 m) ; West at (7,500 meters) :
Another magnificent peak in the Saser Muztagh is Saser Kangri II. The eastern elevation of the peak is 7,518 m (24,665 ft) and the western elevation is 7,500 meters. Saser Kangri II is ranked 49 in the top 100 mountain peaks of the world.
  • 5. Mamostong Kangri – (24,659 ft, 7516 m) :
Mamostong Kangri or Mamostang Kangri is the highest peak in the remote Rimo Muztagh range, which is a subrange of the Karakoram range in India. The Karakoram Range is spread in three countries namely Pakistan, India and China. Mount Mamostong lies in Indian part of Karakoram Range. The mountain stands at an elevation of 7,516 meters (24,659 feet) and is raked 48th in world’s highest peaks.
  • 4. Saser Kangri I – (25,171 ft, 7672 m) :
Saser Kangri I (or Sasir Kangri) is the highest peak in the Saser Muztagh, the easternmost sub-range of the Karakoram range in India. This massif lays toward the northwestern end of the Saser Muztagh, at the head of the North Shukpa Kunchang Glacier, a major glacier, which drains the eastern slopes of the group. The mountain stands at an elevation of 7,672 m (25,171 ft) and is ranked at no. 35 in world’s highest mountain peaks
  • 3. Kamet – (25446 ft, 7756 m) :
Kamet is the second highest mountain peak in Garhwal Himalayas. It lies in the Chamboli District of Uttrakhand. It is the third highest peak in India (according to India however, the rank is much lower as it includes in its list of mountains all those in Pakistan occupied Kashmir). The Kamet mountain peak is the 29th highest in the world.
  • 2. Nanda Devi – (25663 ft, 7824 m) :
Nanda devi is the second highest mountain peak in India. This is the highest peak (entirely) in the country, as Kanchenjunga lies on the border areas of India and Nepal. It was the highest known mountain in the world until 1808 when western surveyors discovered Dhaulagiri. The mountain stands tall at an elevation of 7824 meters (25663 ft).
  • 1. Kanchenjunga – (28169 ft, 8586 m) :
Kanchenjunga is the third highest peak in the world and 1st in India. Kanchenjunga stands tall with an elevation of 8,586 meters (28,169 ft). The literal translation of Kanchenjunga means “The Five Treasures of Snows” and these treasures are gold, silver, gems, grain, and holy books. Kanchenjunga is a group of five peaks out of which four are over 8450 ft.

The Taj Mahal

20:21

Interesting Facts About Taj Mahal

Taj Mahal facts
Taj Mahal, one of the Seven Wonders of the World, has been the pride of India since its inception. It is situated in the city of Agra in Uttar Pradesh, on the banks of river Yamuna. The great monument was built by Mughal Emperor Shah Jahan, for his love Mumtaj Mahal and is also named after her, after the death of his dearest wife Mumtaz Mahal, as a memorial. The exceptional beauty of Taj Mahal has been attracting visitors all across the world. The Taj Mahal is a symbol of Love recognised all over the world.

Interesting Facts about Taj Mahal

  • Mughal Emperor Shah Jahan built Taj Mahal in the memory of his beloved wife, Mumtaz Mahal.
  • Apart from being a UNESCO World Heritage Site, Taj Mahal is one of the Seven Wonders of the World.
  • The name Taj Mahal, with Taj meaning Crown and Mahal meaning Palace, literally means ‘Crown Palace’.
  • The construction took more than 16 years. It was incepted in 1632 and carried till 1648.
  • It is the result of 20,000 workers who who worked on daily basis.
  • The white marble which was used to built Taj Mahal was brought from the quarries of Makrana, in Nagaur district of Rajasthan.
  • Over 1000 elephants were used to transport the big rocks of white marbled used in construction.
  • The main entrance gate of Taj Mahal faces the Southern gate and is 151 feet by 117 feet. It rises to a height of 100 feet.
  • Many people say that after the completion of Taj Mahal Shah Jahan ordered amputation of the hands of all the workers. So that nobody is able to construct a monument like this again on this earth.
  • The cost of construction of Taj Mahal, even at that time, came to 32 crore rupees.
  •   28 kind of rare & semi precious and precious stones were used to decorate the ineer inlay of Taj Mahal.
  • Shah Jahan got Red sandstone from Fatehpur Sikri, Jasper from Punjab, Jade and Crystal from China, Turquoise from Tibet, Lapis Lazuli and Sapphire from Sri Lanka, Coal and Cornelian from Arabia and Diamonds from Panna, for Taj Mahal.
  • The calligrapher of Taj Mahal was Amanat Khan Shirazi, since his name appears at the end of an inscription on one of the gates of the Taj.
  • The main red sandstone gate of Taj Mahal is 30 feet high and stands adorned with verses from the Kuran, in Arabic.
  • The central dome of Taj Mahal is 187 feet high at the centre.
  • The Taj Mahal is a blend of Persian, Central Asian and Islamic architecture.
  • The Taj Mahal is surrounded by gardens known as Charbagh (four gardens), each measuring 300 X 300 mt.
  • Taj Mahal stands on a raised platform, with one minaret at each of the four corners of the plinth.
  • The minarets of Taj Mahal measure 41.6 m in height and have a deliberate outward slant.
  • The interior of the Taj Mahal comprises of a lofty central chamber, which has a crypt immediately below it.
  • There is a mosque on the left of Taj Mahal, made of red sandstone. It is used for conducting Friday prayers, even today.
  • There is another mosque, standing on Taj Mahal’s right hand side. Since it faces west, it is not used for prayers. It is believed to have been built for maintaining symmetry.

The ‘First’ movies

20:20

The ‘First’ movies




The First movies
Hindi Cinema has come a long way. New technologies are being introduced in bollywood every other day. But this wasn’t the situation Cinema when it was first introduced to India on July 7, 1896. It began with the Lumiere Brothers’ Cinematography, unveiling six silent short films at the Watson’s Hotel in Bombay, namely Entry of Cinematographe, The Sea Bath, Arrival of a Train, A Demolition, Ladies & Soldiers on Wheels and Leaving the Factory. In the same year, the Madras Photographic Store advertised “animated photographs”. Daily screenings of films commenced in Bombay in 1897 by Clifton and Co.’s Meadows Street Photography Studio.

The ‘First’ feature film in India

1. Pundalik – The first narrative feature film made in India by N.G. Chitre and Dadasaheb Torne.The movie ‘Pundalik’ was a recording of a play. That time the camera used to be fixed on one platform and was a very heavy opto-mechanical-electrical instrument. So only “one angle” movie recording was possible. There was no concept of editing or close up shots etc. After watching the recorded movie Dadasaheb was not happy with the overall performance and the effect it was giving. So he decided to record it in parts and then join the film together. This is the job now professionally done by the film “Editor” and is an important job in the entire movie industry today. Many effects will be ineffective if the Editor does not do his job properly.
Dadasaheb was an original Director, Special effects person, Editor, Sound Recordist etc. and was a master of many other techniques now commonly used in the modern movie-making. It is sad that such a prodigy was not appreciated very much in the public due to his low-key or low profile nature.
2. Raja Harishchandra
It was the first full-length Indian feature film, made in 1913 and released commercially in May that year, by Dadasaheb Phalke. It was 3700 feet as compared to 1500 for Pundalik, made in 1913 Phalke had attended a screening of ‘The Life of Christ’ at P.B. Mehta’s American-Indian Cinema and was inspired to make films himself. He was convinced of the possibility of establishing an indigenous film industry by focusing on Indian themes.
Dadasaheb Phalke
Phalke brought an impressive string of qualifications to the cinema: painter, printer, engraver, photographer, drama teacher, and magician. The last distinction is particularly notable. He explained that his decision to make Hindu mythological films was due not only to his religious-minded audiences, but also because such subjects allowed him “to bring in mystery and miracles.”
The story – The film was about an honest king. For the sake of his principles he sacrifices his kingdom and family before the gods, who are impressed with his honesty and restore him to his former glory. The film was a success, and Phalke went on to make more mythological films till the advent of talkies, and commercialization of Indian films lessened his popularity.
At the time when Phalke’s first films were released in Bombay, it was said that the cinema was displacing traditional entertainments, such as the theatre and circus, because of its astounding popularity. When Phalke took his films to Poona in 1913, they were screened at a theatre which normally exhibited performances of Tamasha, a western Indian dramatic form.
In Raja Harischandra, the priest as comic character—a staple of the western Indian stage—was used. Moreover, it was because of the development of the theatrical tradition that Phalke was able get the women performers he sought for his female roles—even prostitutes had refused to associate themselves with films. A lay-off in a theatrical company briefly secured for him the services of Durgabhai Gokhale and her daughter, Kamalabhai, the first women actresses of the Indian cinema.

The ‘First’ Indian cinemascopic film

Kagaz ke phool(1959) – The cinematographer of Kaagaz Ke Phool was the legendary V.K. Murthy and it has the distinction of being the first Indian film made in wide 75 mm CinemaScope.The film also won critical acclaim in direction, lyrics and poetic songs. S.D. Burman and Kaifi Azmi poured their heart and soul in the music and lyrics of this film respectively.
Produced, directed and acted by Guru Dutt in 1959, the film was a box office disaster of its time but was later resurrected as a world cinema cult classic in the 1980′s. Technically the film is perhaps his best film. The camera work with its use of light and shadows is magical. The frames have been beautifully composed keeping in mind the cinemascope format. The relationship between the director and his protégé is delicately handled on a very human plane. The film making scenes are shot with meticulous attention to detail. The ambiance of the film studios is most effectively created. The songs in the films are very popular – ‘Dekhi Zamaane ki Yaari’ and ‘Waqt ne Kiya Kya Haseen Situm’, the latter being perhaps the best ever song sung by Geeta Dutt.Ironically, today ‘Kaagaz ke Phool’ enjoys a cult following and goes house full whenever re-released.
The story – The film tells in flashback the story of Suresh Sinha (Guru Dutt) a famous film director. His marriage to Bina (Veena) is on the rocks because her wealthy family sees Filmmaking as a job lacking in social status. He is also denied access to his daughter Pammi (Naaz) who is sent to a private boarding school. On a rainy night Sinha meets a woman Shanti (Waheeda Rehman) and gives her his coat. She comes to the film studio to return the coat and disrupts the shooting walking in front of the camera. Seeing the rushes Sinha is sure that she is a star in the making and she is cast as Paro in Devdas.
Shanti becomes a star and she and Suresh, two lonely people, come together. They are spoken about in gossip columns and even Pammi’s friends make life miserable for her. She pleads with Shanti to leave Sinha’s life and Shanti withdraws becoming a school teacher in a small village. Her withdrawal leads to a decline in Sinha’s fortunes and he finds himself down and out. Shanti is forced to return to films since she has a contract with the studio but cannot help him, as he is too far-gone. Finally Sinha remembering his glorious past dies in the empty film studio in the director’s chair, a lonely and forgotten man.

The ‘First’ talkies film

Alam Ara(1931) – March 14, 1931 was a historic day for Indian cinema. Ardeshir Irani of Imperial Movietone released Alam Ara, the first full-length Indian talkie film at the Majestic cinema in Bombay. This film very effectively broke the golden silent era and laid a milestone that marked the steeping into the new talkie era as well as rang the death knell to silent films.
Alam Ara (The Light of the World),was the first Indian sound film. Irani recognized the importance that sound would have on the cinema, and raced to complete Alam Ara before several other contemporary sound films. Alam Ara debuted at the Majestic Cinema in Mumbai (then Bombay) on March 14, 1931. Both the movie and its music were widely successful, marking the beginning of filmi music in Indian cinema.
Story – The film was based on a Parsi play written by Joseph David. David later served as a writer at Irani’s film company. The story centers on an imaginary, historical royal family in the kingdom of Kumarpur. The main characters are the king and his two warring wives Dilbahar and Navbahar. Their rivalry escalates when a fakir predicts that Navbahar will bear the king’s heir.
Dilbahar, in revenge, attempts to have an affair with the kingdom’s chief minister Adil. The affair goes sour and a vengeful Dilbahar imprisons him and exiles his daughter, Alam Ara (Zubeida).In exile, Alam Ara is brought up by Gypsies. Upon returning to the palace at Kumarpur, Alam Ara meets and falls in love with the charming young prince (Master Vithal). In the end, Adil is released, Dilbahar is punished and the lovers marry.
Apparently this film is no longer available in any format and even the National Film Archive does not have a copy.

The ‘First’ color film

Kisan Kanya(1937) – Kisan Kanya was a 1937 Hindi feature film which was directed by Moti B. Gidvani and produced by Ardeshir Irani of Imperial Pictures. It is largely remembered by the Indian public on account of it being India’s first indigenously made colour film. Film pioneer Ardeshir Irani, who had produced notable films as Nala Damayanti (1920) which was India’s first international co-production(with Italy) and India’s first talkie ‘Alam Ara’ (1931)conceived the idea of producing a color film. The result of his efforts was the color film ‘Kisan Kanya’ made with the Cinecolor process whose process rights Irani had obtained from an American company.
Ardeshir Irani – Ardeshir Irani became the father of talkie films with the release of Alam Ara on 14 th March, 1931. He is also accredited with the first Indian English film ‘Noor Jahan’ in 1934. He completed his hat-trick of earning fame when he made first colored film of India: ‘Kisan Kanya’ in 1937, although the trend of colored films started very late. His contribution does not end only with giving voice to the silent cinema and colors to the black & white films, he gave new courageous outlook to film-making in India and provided such a wide range of choice for stories in films that till date there are films being made which have a theme relating to one of the 150 films made by Irani. He made movies not only in Indian languages but also in English, German, Indonesian, Persian and Urdu languages. He wanted to make his Imperial Company a real universe company because he was the representative of Universal studios (USA) and the Universal was his all time ideal.
Story – Kisan Kanya was based on a novel by Saadat Hasan Manto and focussed on the plight of poor farmers.The story revolved on the life of a poor peasant Ram (Nisar) who was being ill-treated by his landlord Ghani. Eventually, Ghani is murdered and Ram becomes the prime suspect in the eyes of the public.The film performed moderately at the box-office.


National Insignia of India (ಭವ್ಯ ಭಾರತ)

20:17

National Insignia of India

National Insignia of India
National Insignia of India namely Flag, Anthem, Emblem, Song, Sport, Tree, Flower, Fruit, Bird and Animal. To keep length of page a little short I’ve divided it into parts, where in First part we’ll know about Flag, Anthem, Emblem, Song and Sport. And in the 2nd Part we’ll know about Bird, Animal, Fruit, Flower and tree.
Insignia is the plural of Latin word, which means emblem, symbol, is a symbol or token of personal power, status or office, or of an official body of government or jurisdiction. Insignia are especially used as an emblem of a specific or general authority. Here we’ll get to know about the national Insignia of India.

India’s National Flag

The Indian flag was designed as a symbol of freedom. The late Prime Minister Nehru called it a flag not only of freedom for ourselves, but a symbol of freedom to all people.
The Indian flag is a horizontal tri-color in equal proportion of deep Saffron on the top symbol of strength, courage, sacrifice and the spirit of renunciation of the country, white in the middle symbol of peace, purity and truth with Dharma Chakra and dark green at the bottom symbol of fertility, faith, growth and auspiciousness of the land.
The ratio of the width to the length of the flag is two is to three. In the centre of the white band, there is a wheel in Navy Blue known as Dharma Chakra (Ashok Chakra) replaced the Gandhian spinning wheel to add historical “depth” and separate the national flag from that of the Indian National Congress. Its diameter approximates the width of the white band and it has 24 spokes. This Dharma Chakra depicted the “wheel of the law” in the Sarnath Lion Capital made by the 3rd-century BC Mauryan Emperor Ashoka. The chakra intends to show that there is life in movement and death in stagnation.

National Anthem of India

Jana Gana Mana is the national anthem of India. Written in Bengali, it is the first of five stanzas of an ode composed by Rabindranath Tagore, the song Jana Gana Mana was first sung on December 27, 1911 at the Calcutta session of the Indian National Congress. On January 24, 1950, the Constituent Assembly adopted the song as the National Anthem of India.The complete song consists of five stanzas. The first stanza comprises the full version of the National.
Devanagari transliteration
Jana gaṇa mana adhināyaka jaya hē
Bhārata bhāgya Vidhātā
Pañjāba Sindhu Gujarāṭa Marāṭhā
Drābiḍa Utkala Baṅga
Vindhya Himācala ẏamunā Gaṅgā
Ucchala jaladhi taraṅga
Taba śubha nāmē jāgē
Taba śubha āśisa māgē
Gāhē taba jaya gāthā
Jana gaṇa maṅgala dāyaka jaya hē
Bhārata bhāgya bidhātā
Jaya hē jaya hē jaya hē
Jaya jaya jaya jaya hē
Translation to English
O! Dispenser of India’s destiny, thou art the ruler of the minds of all people
Thy name rouses the hearts of Punjab, Sindh, Gujarat, the Maratha country,
in the Dravida country, Utkala and Bengal;
It echoes in the hills of the Vindhyas and Himalayas,
it mingles in the rhapsodies of the pure waters of Yamuna and the Ganges.
They chant only thy name.
They seek only thy auspicious blessings.
They sing only the glory of thy victory.
The salvation of all people waits in thy hands,
O! Dispenser of India’s destiny, thou art the ruler of the minds of all people
Victory to thee, Victory to thee,
Victory, Victory, Victory, Victory to thee!.

India’s National Emblem

The National Emblem of India is a replica of the Lion of Sarnath, near Varanasi in Uttar Pradesh. The Lion Capital was erected in the third century BC by Emperor Ashoka to mark the spot where Buddha first proclaimed his gospel of peace and emancipation to the four quarters of the universe. The National emblem is thus symbolic of contemporary India’s reaffirmation of its ancient commitment to world peace and goodwill.
The four lions (one hidden from view) – symbolizing power, courage and confidence – rest on a circular abacus. The abacus is girded by four smaller animals – guardians of the four directions: the lion of the north, the elephant of the east, the horse of the south and the bull of the west. The abacus rests on a lotus in full bloom, exemplifying the fountainhead of life and creative inspiration. The motto ‘Satyameva Jayate’ inscribed below the emblem in Devanagari script means ‘truth alone triumphs’.

National Song of India

Composed by Bankim Chandra, this song appears in the Bengali novel Anand Math. The English translation of Vande Mataram rendered by Shree Aurobindo, is considered to be the “official” and best. The first stanza of this song has been given the status of our national song.
Devanagari transliteration
vande mātaram
sujalāṃ suphalāṃ
malayajaśītalām
śasya śyāmalāṃ
mātaram
śubhra jyotsnā pulakita yāminīm
phulla kusumita drumadalaśobhinīm
suhāsinīṃ sumadhura bhāṣiṇīm
sukhadāṃ varadāṃ
mātaram
Translation to English
My obeisance to Mother India!
With flowing beneficial waters
Filled with choicest fruits
Sandal wood wafts cool
Lovely mooned nights
O mother! My obeisance to you!
Where the bright morning light and thrilled nights
Are dressed in attires wondrous flora abloom
Sweet speaker of sweet languages
A happy boon are you, o mother…
Aha…dear mother, I salute you!

India’s National Sport

Hockey is the National Game of India. Unmatched excellence and incomparable virtuosity brought India a string of Olympic gold medals. The brilliant Indians brought a touch of black magic to their play and the ball juggling feats of the Indians were a sheer delight.
The Golden Era of hockey in India was the period from 1928 – 1956 when India won 6 consecutive gold medals in the Olympics. During the Golden Era, India played 24 Olympic matches, won all 24, scored 178 goals (at an average of 7.43 goals per match) and conceded only 7 goals. The two other gold medals for India came in the 1964 Tokyo Olympics and the 1980 Moscow Olympics.

Total Pageviews

Recent Posts

Find us on Facebook